So the ENO is finally getting some fresh air 
, I guess taking over a company that's been struggling in recent years is like taking a gamble, but de Ridder seems optimistic about the future 
. He thinks the company's problems are just opportunities for growth and change, which I think is a good attitude 
.
I'm not sure about this dual-centre theory though
, some people might think it's gonna be too hard to manage two cities at once 
. But if ENO can make it work, that'd be awesome 
. And I love that de Ridder is all about making opera more accessible to everyone 
, that's something we should definitely see more of in the industry.
One thing I'm curious about is how he plans on reviving the company and making it more financially stable
. Cutting full-time contracts isn't gonna fix anything 
, and I hope de Ridder has a solid plan to get ENO back on track 
.
, I guess taking over a company that's been struggling in recent years is like taking a gamble, but de Ridder seems optimistic about the future . He thinks the company's problems are just opportunities for growth and change, which I think is a good attitude .I'm not sure about this dual-centre theory though
, some people might think it's gonna be too hard to manage two cities at once . But if ENO can make it work, that'd be awesome . And I love that de Ridder is all about making opera more accessible to everyone , that's something we should definitely see more of in the industry.One thing I'm curious about is how he plans on reviving the company and making it more financially stable
. Cutting full-time contracts isn't gonna fix anything , and I hope de Ridder has a solid plan to get ENO back on track .
. New music dir André de Ridder's the man 
. Time to shake off the London limbo & make opera more inclusive for all 