Karl Ove Knausgård's sprawling epic, The School of Night, is a labyrinthine tale of supernatural existentialism that defies easy interpretation. Spanning 500 pages, the latest installment in the Morning Star cycle weaves together threads from previous volumes to present an unsettling account of the occult phenomena surrounding the appearance of a new star in the sky.
At its core, The School of Night revolves around Kristian Hadeland, a charismatic but misanthropic protagonist who narrates his own story with unflinching candor. From his early days as a photography student in mid-1980s London to his subsequent retreat into himself after a family crisis, Kristian's life is marked by an air of precarity and desperation.
As the narrative unfolds, Knausgård masterfully conjures an atmosphere of creeping entropy, where the boundaries between reality and fantasy blur. A chance encounter with a homeless man sets Kristian on a path towards transformation, but it is his relationship with Hans, a Dutch artist into artificial intelligence, that proves pivotal to the story.
Through the Faustus subplot, Knausgård posits a philosophical framework for understanding the world of The School of Night. When Mephistopheles responds to Marlowe's question about being out of hell by stating "this is hell, nor am I out of it," it succinctly encapsulates the bleak universe that Knausgård has created.
However, as readers delve deeper into the narrative, they are confronted with inconsistencies and anachronisms that challenge their understanding of the story. The author's reluctance to edit or plan his work raises questions about the scope and coherence of the epic, leaving some readers to ponder whether the next two volumes will provide a clearer picture of the saga's purpose.
The School of Night is not an easy read, with Knausgård's prose often described as erratic and incoherent. Devotees of his work may find themselves invested in the story despite its many challenges, but for others, the 500-page journey into Kristian's world may prove overwhelming.
Ultimately, The School of Night is a testament to Knausgård's boundless ambition and his willingness to push the boundaries of literary convention. While it may not deliver on its promise in every aspect, this sprawling epic remains an object of fascination for readers willing to brave its complexities.
At its core, The School of Night revolves around Kristian Hadeland, a charismatic but misanthropic protagonist who narrates his own story with unflinching candor. From his early days as a photography student in mid-1980s London to his subsequent retreat into himself after a family crisis, Kristian's life is marked by an air of precarity and desperation.
As the narrative unfolds, Knausgård masterfully conjures an atmosphere of creeping entropy, where the boundaries between reality and fantasy blur. A chance encounter with a homeless man sets Kristian on a path towards transformation, but it is his relationship with Hans, a Dutch artist into artificial intelligence, that proves pivotal to the story.
Through the Faustus subplot, Knausgård posits a philosophical framework for understanding the world of The School of Night. When Mephistopheles responds to Marlowe's question about being out of hell by stating "this is hell, nor am I out of it," it succinctly encapsulates the bleak universe that Knausgård has created.
However, as readers delve deeper into the narrative, they are confronted with inconsistencies and anachronisms that challenge their understanding of the story. The author's reluctance to edit or plan his work raises questions about the scope and coherence of the epic, leaving some readers to ponder whether the next two volumes will provide a clearer picture of the saga's purpose.
The School of Night is not an easy read, with Knausgård's prose often described as erratic and incoherent. Devotees of his work may find themselves invested in the story despite its many challenges, but for others, the 500-page journey into Kristian's world may prove overwhelming.
Ultimately, The School of Night is a testament to Knausgård's boundless ambition and his willingness to push the boundaries of literary convention. While it may not deliver on its promise in every aspect, this sprawling epic remains an object of fascination for readers willing to brave its complexities.