
I'm still trying to wrap my head around The School of Night

. Knausgård's writing style is like a wild ride – it's intense, but also kinda...unsettling?

I mean, 500 pages of labyrinthine storytelling can be overwhelming, even for the most die-hard fans. But at its core, this book is about transformation and the human condition, right?

It's like Kristian's journey is a reflection of our own struggles to find meaning in a chaotic world.
I love how Knausgård explores the blurred lines between reality and fantasy – it's like he's inviting us to question what's real and what's not

. And that Faustus subplot? Mind. Blown.

The way Mephistopheles responds to Marlowe's question is like a commentary on our own existential crises.
But, tbh, I'm a bit frustrated with the inconsistencies and anachronisms throughout the book

It feels like Knausgård was too caught up in his artistic vision to worry about editing or planning. Will the next two volumes provide more clarity? Only time will tell

One thing's for sure, though – The School of Night is a testament to Knausgård's innovative spirit and willingness to take risks as a writer
