"The Storm Whale" Review: A Heartwarming but Imperfect Tale of Friendship and Release
In this adaptation of Benji Davies' 2013 picture book, director Matt Aston brings to life the story of Noi, a young boy who befriends a washed-up whale and must decide whether to keep it as a companion. The film is a poignant exploration of loneliness, friendship, and the importance of human connection.
Visually, "The Storm Whale" is a treat, with beautifully rendered scenes of the seaside and its quirky inhabitants. Lydia Denno's designs capture the charm of Noi's colourful home, while Sue Dacre's puppet direction brings the whale to life in all its squishy delight.
However, the film's earnest messages often feel repetitive, and the dialogue can be solemnly wearying at times. The supporting cast, including Emily Essery as Noi and Richard Lounds as his dad, are pleasant but underdeveloped. Even the imaginative flights of fancy, such as the strawberries-and-cream taste if you licked the lighthouse, feel like they're missing a bit of wilder humour to truly sparkle.
One of the standout elements is the puppetry, particularly the whale puppet made by Keith Frederick, which is a squishy delight with quivering tail and glinting eyes. The tempest that washes up the whale is beautifully choreographed by Hayley Del Harrison, and the lighting design by Jason Salvin adds an extra layer of magic to the scenes.
Despite its imperfections, "The Storm Whale" remains a heartwarming tale of friendship and release. Noi's story, sensitively told by Aston, explores how solitude need not mean loneliness, and it's a lesson that will resonate with young audiences. With a bit more wilder humour and adventure, this show would truly go down a storm. As it stands, it's a charming but imperfect tale of the power of human connection – one that will leave viewers smiling.
In this adaptation of Benji Davies' 2013 picture book, director Matt Aston brings to life the story of Noi, a young boy who befriends a washed-up whale and must decide whether to keep it as a companion. The film is a poignant exploration of loneliness, friendship, and the importance of human connection.
Visually, "The Storm Whale" is a treat, with beautifully rendered scenes of the seaside and its quirky inhabitants. Lydia Denno's designs capture the charm of Noi's colourful home, while Sue Dacre's puppet direction brings the whale to life in all its squishy delight.
However, the film's earnest messages often feel repetitive, and the dialogue can be solemnly wearying at times. The supporting cast, including Emily Essery as Noi and Richard Lounds as his dad, are pleasant but underdeveloped. Even the imaginative flights of fancy, such as the strawberries-and-cream taste if you licked the lighthouse, feel like they're missing a bit of wilder humour to truly sparkle.
One of the standout elements is the puppetry, particularly the whale puppet made by Keith Frederick, which is a squishy delight with quivering tail and glinting eyes. The tempest that washes up the whale is beautifully choreographed by Hayley Del Harrison, and the lighting design by Jason Salvin adds an extra layer of magic to the scenes.
Despite its imperfections, "The Storm Whale" remains a heartwarming tale of friendship and release. Noi's story, sensitively told by Aston, explores how solitude need not mean loneliness, and it's a lesson that will resonate with young audiences. With a bit more wilder humour and adventure, this show would truly go down a storm. As it stands, it's a charming but imperfect tale of the power of human connection – one that will leave viewers smiling.