The author recalls a childhood marked by a sense of disconnection from their parents. They describe a home where adults rarely spoke, and when they did, it was often with little emotional depth. The family's architecture, too, reflects the austere atmosphere: a boxy glass lobby, a semi-open-plan ground floor, and uncarpeted stairs.
The author's vivid memory of one particular moment – their sister's nightmare – highlights the absence of adult interaction in the household. A scream on the other side of the wall prompts them to comfort their sister, but the scene is devoid of warmth or emotional expression from their parents. This lack of connection has a lasting impact on the author, who wonders if others experienced similar isolation.
A striking image of their mother, taken by their father during a family outing, stands in stark contrast to her demeanor at home. In the photo, she radiates confidence and ease, while in real life, she is depicted as cold and distant. The author suggests that this disparity may be due to postnatal depression or an unbridgeable gulf between her and their father.
The author's parents are portrayed as having a complicated relationship, with their mother often expressing disapproval of their interests and hobbies. Her aversion to change, difference, and pain is evident in her behavior, which the author describes as self-pitying.
As the author grew older, they began to appreciate the significance of this upbringing. They recognize that their parents' emotional unavailability was not unique to them but a reflection of their own societal conditioning – an emphasis on propriety, conformity, and avoiding conflict. The author's mother, in particular, was obsessed with maintaining social norms, which made it difficult for her to express genuine emotions or connect with others.
In the end, the author concludes that speaking ill of the dead can be a necessary act of self-preservation, especially when the deceased has never shown love or affection towards us. The injunction not to speak ill of the dead is often associated with respect and reverence, but in this context, it becomes a means of acknowledging the pain and hurt inflicted by those we thought were our loved ones.
The author's vivid memory of one particular moment – their sister's nightmare – highlights the absence of adult interaction in the household. A scream on the other side of the wall prompts them to comfort their sister, but the scene is devoid of warmth or emotional expression from their parents. This lack of connection has a lasting impact on the author, who wonders if others experienced similar isolation.
A striking image of their mother, taken by their father during a family outing, stands in stark contrast to her demeanor at home. In the photo, she radiates confidence and ease, while in real life, she is depicted as cold and distant. The author suggests that this disparity may be due to postnatal depression or an unbridgeable gulf between her and their father.
The author's parents are portrayed as having a complicated relationship, with their mother often expressing disapproval of their interests and hobbies. Her aversion to change, difference, and pain is evident in her behavior, which the author describes as self-pitying.
As the author grew older, they began to appreciate the significance of this upbringing. They recognize that their parents' emotional unavailability was not unique to them but a reflection of their own societal conditioning – an emphasis on propriety, conformity, and avoiding conflict. The author's mother, in particular, was obsessed with maintaining social norms, which made it difficult for her to express genuine emotions or connect with others.
In the end, the author concludes that speaking ill of the dead can be a necessary act of self-preservation, especially when the deceased has never shown love or affection towards us. The injunction not to speak ill of the dead is often associated with respect and reverence, but in this context, it becomes a means of acknowledging the pain and hurt inflicted by those we thought were our loved ones.