A haunting tribute to Gaza's fallen children has taken up residence in Brooklyn, New York. The Wall of Tears, a 50ft-long mural adorned with waterproof and UV-coated vinyl, pays homage to the staggering 18,457 children who have lost their lives in Gaza between October 7th, 2023, and July 19th, 2025.
Created by artist Phil Buehler, this massive art installation is a poignant reminder of the devastating impact of conflict on innocent lives. The names of each child, listed in chronological order, stretch down the street like a chilling countdown to tragedy. Each name is accompanied by a photo and story, drawn from reports by reputable news organizations such as the Guardian and Washington Post.
As one approaches the mural from a distance, it appears almost abstract, drawing viewers in with an air of mystery. However, upon closer inspection, the true horror of the Wall of Tears becomes apparent β a sobering reminder that behind each name lies a life cut short by violence and despair.
Buehler's work on this project was collaborative with Radio Free Brooklyn, a non-profit organization. Despite being out of date before its unveiling, as it only records deaths up to July last year, hundreds more children have been killed since then, including the tragic Hind Rajab, five-year-old girl whose final hours were captured in an Oscar-nominated film.
Buehler's reflections on this project are poignant and personal. He notes that seeing the faces of the children, frozen in joy and hope, is what drives him β a stark contrast to the tragedy they faced. By bearing witness to these stories, he hopes viewers will empathize with the families of the victims and consider how they might contribute to change.
Buehler's experience working on this project has been emotionally charged, as he concedes that some people may struggle to confront the scale of the tragedy. "If you approach from a distance, it looks like almost an abstract painting," he says. "Then you'll see they're names of the children killed in Gaza... That's the part that gets me when I look at it."
The Wall of Tears serves as a powerful commentary on the complexities surrounding the conflict in Gaza. While some may fear that highlighting the human cost of war could be perceived as anti-Semitic, Buehler rejects this notion, arguing that conflating opposition to the war with antisemitism makes open dialogue impossible.
As one gazes upon the Wall of Tears, it is impossible not to think about the families affected by these senseless losses. In a world where tribal divisions often dominate conversation, this mural serves as a poignant reminder that opposing violence and advocating for peace does not equate to hate towards any particular group.
Created by artist Phil Buehler, this massive art installation is a poignant reminder of the devastating impact of conflict on innocent lives. The names of each child, listed in chronological order, stretch down the street like a chilling countdown to tragedy. Each name is accompanied by a photo and story, drawn from reports by reputable news organizations such as the Guardian and Washington Post.
As one approaches the mural from a distance, it appears almost abstract, drawing viewers in with an air of mystery. However, upon closer inspection, the true horror of the Wall of Tears becomes apparent β a sobering reminder that behind each name lies a life cut short by violence and despair.
Buehler's work on this project was collaborative with Radio Free Brooklyn, a non-profit organization. Despite being out of date before its unveiling, as it only records deaths up to July last year, hundreds more children have been killed since then, including the tragic Hind Rajab, five-year-old girl whose final hours were captured in an Oscar-nominated film.
Buehler's reflections on this project are poignant and personal. He notes that seeing the faces of the children, frozen in joy and hope, is what drives him β a stark contrast to the tragedy they faced. By bearing witness to these stories, he hopes viewers will empathize with the families of the victims and consider how they might contribute to change.
Buehler's experience working on this project has been emotionally charged, as he concedes that some people may struggle to confront the scale of the tragedy. "If you approach from a distance, it looks like almost an abstract painting," he says. "Then you'll see they're names of the children killed in Gaza... That's the part that gets me when I look at it."
The Wall of Tears serves as a powerful commentary on the complexities surrounding the conflict in Gaza. While some may fear that highlighting the human cost of war could be perceived as anti-Semitic, Buehler rejects this notion, arguing that conflating opposition to the war with antisemitism makes open dialogue impossible.
As one gazes upon the Wall of Tears, it is impossible not to think about the families affected by these senseless losses. In a world where tribal divisions often dominate conversation, this mural serves as a poignant reminder that opposing violence and advocating for peace does not equate to hate towards any particular group.