Anita Lam's 'Happy Zoo' exhibition challenges traditional notions of zoos and our relationship with animals, presenting a vision of empathy and coexistence. The series, developed through ALAN (Artists who Love Animals and Nature), is an adaptive multimedia exhibition that invites viewers to connect with animals in nature and human-built environments.
Unlike traditional zoos, 'Happy Zoo' has no cages or barriers between humans and animals, instead featuring immersive installations, playable video games, sculpture, and interactive works. The series nudges visitors toward ecological awareness through whimsy, novelty, and play, leveraging emotional connection as the first step toward behavioral change.
Lam's vision for 'Happy Zoo' was influenced by John Berger's "Why Look at Animals?" which led her to question how our culture and values have shaped our relationship with animals. The pandemic also presented a unique opportunity for Lam and ALAN to introduce their concept, leveraging global shared experiences of confinement and nature's recovery.
Each chapter of the exhibition series explores different themes, from ecosystems like the ocean and rainforest to urban wildlife in cities. Works use humor, absurdity, and play to provoke reflection on power dynamics between humans and animals, inviting viewers to consider empathy as a key value.
Collaborating with artists such as Ruby Maky, Stickyline, and Carnovsky, Lam curates an exhibition that feels human and emotionally present, balancing individual artistic voices within a shared framework. The series is adaptable to local contexts and aims to celebrate diversity without captivity.
For young artists interested in engaging with conservation, Lam advises finding genuine passion for the topic and creating work from a place of heart. This involves observing deeply, questioning, and understanding before responding. Art should challenge norms and shift perspectives, rather than simply repeating messages or creating propaganda. By prioritizing honesty in subject matter and cultivating genuine care and curiosity, artists can create meaningful works that engage audiences on a deeper level.
By flipping the traditional zoo model on its head, 'Happy Zoo' brings ideas, stories, and artworks to different cities, enriching local experiences while celebrating diversity without captivity. As Lam notes, if done well, "Happy Zoo" grows with each city it arrives in, creating a cultural exchange that fosters empathy and understanding between humans and animals alike.
Unlike traditional zoos, 'Happy Zoo' has no cages or barriers between humans and animals, instead featuring immersive installations, playable video games, sculpture, and interactive works. The series nudges visitors toward ecological awareness through whimsy, novelty, and play, leveraging emotional connection as the first step toward behavioral change.
Lam's vision for 'Happy Zoo' was influenced by John Berger's "Why Look at Animals?" which led her to question how our culture and values have shaped our relationship with animals. The pandemic also presented a unique opportunity for Lam and ALAN to introduce their concept, leveraging global shared experiences of confinement and nature's recovery.
Each chapter of the exhibition series explores different themes, from ecosystems like the ocean and rainforest to urban wildlife in cities. Works use humor, absurdity, and play to provoke reflection on power dynamics between humans and animals, inviting viewers to consider empathy as a key value.
Collaborating with artists such as Ruby Maky, Stickyline, and Carnovsky, Lam curates an exhibition that feels human and emotionally present, balancing individual artistic voices within a shared framework. The series is adaptable to local contexts and aims to celebrate diversity without captivity.
For young artists interested in engaging with conservation, Lam advises finding genuine passion for the topic and creating work from a place of heart. This involves observing deeply, questioning, and understanding before responding. Art should challenge norms and shift perspectives, rather than simply repeating messages or creating propaganda. By prioritizing honesty in subject matter and cultivating genuine care and curiosity, artists can create meaningful works that engage audiences on a deeper level.
By flipping the traditional zoo model on its head, 'Happy Zoo' brings ideas, stories, and artworks to different cities, enriching local experiences while celebrating diversity without captivity. As Lam notes, if done well, "Happy Zoo" grows with each city it arrives in, creating a cultural exchange that fosters empathy and understanding between humans and animals alike.