In her debut novel 'Workhorse', Caroline Palmer delivers a Devil Wears Prada-style tale of ambition set in the dying days of a golden age of women's glossies. The story revolves around Clodagh, or Clo, a suburban twentysomething who becomes embroiled in the cutthroat world of magazine publishing.
Clo is a complex and highly unlikable protagonist, embodying class envy and internalised misogyny. Her observations on the fashion industry are razor-sharp, but her own personal demons are equally relatable. Despite her unpleasantness, Palmer skillfully crafts a narrative that draws you in, making it impossible not to root for Clo as she navigates her rise through the ranks.
Palmer's talent for wit shines throughout the novel, particularly in her portrayal of characters like Harry and Davis Lawrence, who embody charisma and poise. However, the prolonged exposure to Clo's inner workings often becomes overwhelming, and the 500-page page count may deter some readers.
The fashion industry remains a shallow and ruthless world, with Palmer expertly capturing its essence. Yet, 'Workhorse' transcends its central theme by delving deeper into the emotional burden carried by those on the periphery. The weight of perpetual outsiderdom is palpable, and Palmer poignantly explores how one's ambition can become a waste when it consumes you.
Ultimately, while some readers may find Clo's unlikability off-putting, Palmer's masterful storytelling keeps them invested in her journey. With its blend of wit, charm, and poignant character studies, 'Workhorse' is a must-read for fans of literary fiction and the world of magazine publishing.
Clo is a complex and highly unlikable protagonist, embodying class envy and internalised misogyny. Her observations on the fashion industry are razor-sharp, but her own personal demons are equally relatable. Despite her unpleasantness, Palmer skillfully crafts a narrative that draws you in, making it impossible not to root for Clo as she navigates her rise through the ranks.
Palmer's talent for wit shines throughout the novel, particularly in her portrayal of characters like Harry and Davis Lawrence, who embody charisma and poise. However, the prolonged exposure to Clo's inner workings often becomes overwhelming, and the 500-page page count may deter some readers.
The fashion industry remains a shallow and ruthless world, with Palmer expertly capturing its essence. Yet, 'Workhorse' transcends its central theme by delving deeper into the emotional burden carried by those on the periphery. The weight of perpetual outsiderdom is palpable, and Palmer poignantly explores how one's ambition can become a waste when it consumes you.
Ultimately, while some readers may find Clo's unlikability off-putting, Palmer's masterful storytelling keeps them invested in her journey. With its blend of wit, charm, and poignant character studies, 'Workhorse' is a must-read for fans of literary fiction and the world of magazine publishing.