"Executive Dessert": A Bittersweet Ode to Childhood in Saddam Hussein's Iraq
Iraqi filmmaker Hasan Hadi's latest feature film, The President's Cake, has made headlines for its unique premise: a nine-year-old girl named Lamia must bake a cake for Saddam Hussein's birthday. But what begins as a straightforward tale of childhood innocence quickly becomes a scathing critique of the Iraqi regime under Saddam Hussein.
The film follows Lamia and her pet cockerel Hindi as they navigate the harsh realities of life in 1990s Iraq, where food was scarce and corruption ran rampant. Hadi's personal experiences growing up under Saddam's rule inform his portrayal of the regime's personality cult, which permeated every aspect of Iraqi life.
"I don't want to be political," Hadi insists, but the film is clearly not neutral. It exposes the brutal consequences of sanctions, which crippled Iraq's economy and left millions struggling to access basic necessities like healthcare and education.
One of the most heartbreaking scenes in the film shows Lamia's teacher stealing an apple from her schoolbag, a betrayal that feels all too real for many Iraqi children who lived through this period. Hadi notes that corruption was rife during sanctions, with teachers earning as little as $5 per month β a far cry from their pre-sanctions salaries of $800.
The film's untrained actors bring an authenticity to the story, capturing the raw emotions and desperation of childhood in wartime. Hadi shot on location, often filming on water to capture the treacherous terrain of Iraq's marshlands.
As one of the first Iraqi films to make it onto the Oscars' shortlist for best international feature, The President's Cake is generating buzz about the power of cinema to tell the stories that need to be told. But Hadi remains committed to his vision: "I want to make films about Iraq," he says with a resolute nod.
The film's themes of childhood innocence and the corrosive effects of corruption are timeless, and its portrayal of life under Saddam Hussein serves as a stark reminder of the dangers of unchecked power and the importance of storytelling in preserving history. As Hadi so eloquently puts it: "Sanctions are more violent than bombs."
Iraqi filmmaker Hasan Hadi's latest feature film, The President's Cake, has made headlines for its unique premise: a nine-year-old girl named Lamia must bake a cake for Saddam Hussein's birthday. But what begins as a straightforward tale of childhood innocence quickly becomes a scathing critique of the Iraqi regime under Saddam Hussein.
The film follows Lamia and her pet cockerel Hindi as they navigate the harsh realities of life in 1990s Iraq, where food was scarce and corruption ran rampant. Hadi's personal experiences growing up under Saddam's rule inform his portrayal of the regime's personality cult, which permeated every aspect of Iraqi life.
"I don't want to be political," Hadi insists, but the film is clearly not neutral. It exposes the brutal consequences of sanctions, which crippled Iraq's economy and left millions struggling to access basic necessities like healthcare and education.
One of the most heartbreaking scenes in the film shows Lamia's teacher stealing an apple from her schoolbag, a betrayal that feels all too real for many Iraqi children who lived through this period. Hadi notes that corruption was rife during sanctions, with teachers earning as little as $5 per month β a far cry from their pre-sanctions salaries of $800.
The film's untrained actors bring an authenticity to the story, capturing the raw emotions and desperation of childhood in wartime. Hadi shot on location, often filming on water to capture the treacherous terrain of Iraq's marshlands.
As one of the first Iraqi films to make it onto the Oscars' shortlist for best international feature, The President's Cake is generating buzz about the power of cinema to tell the stories that need to be told. But Hadi remains committed to his vision: "I want to make films about Iraq," he says with a resolute nod.
The film's themes of childhood innocence and the corrosive effects of corruption are timeless, and its portrayal of life under Saddam Hussein serves as a stark reminder of the dangers of unchecked power and the importance of storytelling in preserving history. As Hadi so eloquently puts it: "Sanctions are more violent than bombs."