Ayo Edebiri and Daniel Kaluuya's A24 adaptation of a high-concept horror project, which has been in development hell for seven years, finally hits theaters with Buddy. The film takes an unsettling turn when its friendly, furry protagonist - reminiscent of 90s TV shows like Ricky's Room - is revealed to be an orange unicorn with an undying enthusiasm that borders on aggression.
As Buddy's playful antics devolve into sinister behavior, writer-director Casper Kelly attempts to create a bold new horror icon. However, the gimmick wears off quickly, and the film struggles to sustain its engagement over 95 minutes. The novelty of a malevolent presence in a wholesome kids TV show setting can't quite live up to the hype.
The story moves forward episode-by-episode, with the main characters - including a group of kids who realize Buddy is killing them off - trying to stay safe and escape his clutches. However, Buddy's actions are never as monstrous or sadistic as expected, making it difficult to feel invested in their survival. The kills are also ineffectively tame and boringly uninnovative.
The film's tone is further marred by its reliance on fake studio settings, including a Patton Oswalt-voiced backpack, which makes it difficult to take the story seriously. The poor child actors are forced to perform well-observed yet grating Nickelodeon schtick, making it hard to care about their fate.
Ultimately, Buddy fails to deliver as a horror film, and its lack of scares and emotional weight makes it a misfire. While history has taught us that this year's Sundance will likely produce at least one breakout horror, Buddy is most certainly not it. The true terror lies in the original Barney character, which remains far more unsettling.
Buddy is currently screening at the Sundance film festival and is seeking distribution, but its prospects for success are uncertain. Despite its high-concept premise, the film ultimately falls flat, leaving audiences disappointed and wondering what could have been done to make it a compelling horror experience.
As Buddy's playful antics devolve into sinister behavior, writer-director Casper Kelly attempts to create a bold new horror icon. However, the gimmick wears off quickly, and the film struggles to sustain its engagement over 95 minutes. The novelty of a malevolent presence in a wholesome kids TV show setting can't quite live up to the hype.
The story moves forward episode-by-episode, with the main characters - including a group of kids who realize Buddy is killing them off - trying to stay safe and escape his clutches. However, Buddy's actions are never as monstrous or sadistic as expected, making it difficult to feel invested in their survival. The kills are also ineffectively tame and boringly uninnovative.
The film's tone is further marred by its reliance on fake studio settings, including a Patton Oswalt-voiced backpack, which makes it difficult to take the story seriously. The poor child actors are forced to perform well-observed yet grating Nickelodeon schtick, making it hard to care about their fate.
Ultimately, Buddy fails to deliver as a horror film, and its lack of scares and emotional weight makes it a misfire. While history has taught us that this year's Sundance will likely produce at least one breakout horror, Buddy is most certainly not it. The true terror lies in the original Barney character, which remains far more unsettling.
Buddy is currently screening at the Sundance film festival and is seeking distribution, but its prospects for success are uncertain. Despite its high-concept premise, the film ultimately falls flat, leaving audiences disappointed and wondering what could have been done to make it a compelling horror experience.