The article discusses the inaugural edition of Art Basel Qatar, a biennial art fair that aims to bridge the Middle East and the international art world. The fair took place in Doha, Qatar, and featured over 200 galleries from around the world.
Some highlights of the fair included:
* A solo presentation by Lebanese artist Ali Cherri, titled "Becoming Animal," which explores the tension between humanity and animality.
* A monumental video work by Bruce Nauman, titled "Beckett's Chair Portrait Rotated," presented by Konrad Fischer Galerie.
* A light installation by Otto Piene, titled "Light Ballets," shown by Sprüth Magers.
* A projection of Shirin Neshat's latest video work, produced in 2025, presented by Lia Rumma.
The fair also featured a number of regional and transnational narratives, with galleries showcasing works by artists from the Middle East, North Africa, and South Asia. The fair was backed by the Qatar government and had a strong focus on community-oriented and educational programming.
Art Basel Qatar's format, which features a one-artist-per-gallery approach, is being tested as a way to create a more curatorially focused fair that can serve as a bridge between the Middle East and the international art world. The fair's success will depend on its ability to strike the right balance between commercial and curatorial goals.
Overall, Art Basel Qatar aims to establish itself as a major player in the global art fair scene, while also promoting regional and transnational narratives that are unique to the Middle East and beyond.
Some quotes from Magnus Resch, the Director of Art Basel, include:
* "Art Basel Qatar isn't just a smaller fair; it's a structural experiment."
* "Change the economics and the context, and the entire format changes."
These quotes highlight the fair's innovative approach and its potential to disrupt the traditional art fair model.
Some highlights of the fair included:
* A solo presentation by Lebanese artist Ali Cherri, titled "Becoming Animal," which explores the tension between humanity and animality.
* A monumental video work by Bruce Nauman, titled "Beckett's Chair Portrait Rotated," presented by Konrad Fischer Galerie.
* A light installation by Otto Piene, titled "Light Ballets," shown by Sprüth Magers.
* A projection of Shirin Neshat's latest video work, produced in 2025, presented by Lia Rumma.
The fair also featured a number of regional and transnational narratives, with galleries showcasing works by artists from the Middle East, North Africa, and South Asia. The fair was backed by the Qatar government and had a strong focus on community-oriented and educational programming.
Art Basel Qatar's format, which features a one-artist-per-gallery approach, is being tested as a way to create a more curatorially focused fair that can serve as a bridge between the Middle East and the international art world. The fair's success will depend on its ability to strike the right balance between commercial and curatorial goals.
Overall, Art Basel Qatar aims to establish itself as a major player in the global art fair scene, while also promoting regional and transnational narratives that are unique to the Middle East and beyond.
Some quotes from Magnus Resch, the Director of Art Basel, include:
* "Art Basel Qatar isn't just a smaller fair; it's a structural experiment."
* "Change the economics and the context, and the entire format changes."
These quotes highlight the fair's innovative approach and its potential to disrupt the traditional art fair model.