English National Opera's HMS Pinafore brings back to life Gilbert and Sullivan's classic comedy, with an added dose of modern zaniness. The show takes aim at the upper echelons of society with clever put-downs, as Sir Joseph Porter navigates a shipboard hierarchy that would make even the most seasoned politician blush.
Under Cal McCrystal's direction, this 2021 production is a loving tribute to the irreverent world of Victorian music halls. With added material from McCrystal and Toby Davies, it also captures the wacky spirit of 1970s British comedy and Carry On films. A prologue sets the tone for the mayhem to come, featuring a comedic switcheroo involving Michael Portillo and Mel Giedroyc.
The show's colorful characters leap off the stage in full force, thanks in part to the boundless energy of Giedroyc as Aunt Melanie - she plays the role of Buttercup with equal parts wit and enthusiasm. Meanwhile, Neal Davies delivers a wickedly satirical portrayal of the self-absorbed Sir Joseph Porter, complete with over-the-top singing and comedic flair.
The cast is uniformly excellent, with standout performances from Rhonda Browne's gruff but lovable matronal figure, Buttercup, and Thomas Atkins' hapless, muscle-bound sailor, Ralph. But it's Giedroyc who steals the show - and not just because she plays two roles (including a fetching mermaid in the company hornpipe).
Matthew Kofi Waldren's clever arrangements and Lizzi Gee's whip-smart choreography bring out the best in the ENO chorus, who rise to the challenge with aplomb. When all these elements come together, HMS Pinafore is pure pandemonium - but in the best possible way.
The show may not be perfect, but its sheer exuberance and joy make it impossible to resist. With a top-notch cast and production team, this gloriously daffy Pinafore will have you cheering for more, long after the curtain falls on this riotous romp through the ship's poop deck.
Under Cal McCrystal's direction, this 2021 production is a loving tribute to the irreverent world of Victorian music halls. With added material from McCrystal and Toby Davies, it also captures the wacky spirit of 1970s British comedy and Carry On films. A prologue sets the tone for the mayhem to come, featuring a comedic switcheroo involving Michael Portillo and Mel Giedroyc.
The show's colorful characters leap off the stage in full force, thanks in part to the boundless energy of Giedroyc as Aunt Melanie - she plays the role of Buttercup with equal parts wit and enthusiasm. Meanwhile, Neal Davies delivers a wickedly satirical portrayal of the self-absorbed Sir Joseph Porter, complete with over-the-top singing and comedic flair.
The cast is uniformly excellent, with standout performances from Rhonda Browne's gruff but lovable matronal figure, Buttercup, and Thomas Atkins' hapless, muscle-bound sailor, Ralph. But it's Giedroyc who steals the show - and not just because she plays two roles (including a fetching mermaid in the company hornpipe).
Matthew Kofi Waldren's clever arrangements and Lizzi Gee's whip-smart choreography bring out the best in the ENO chorus, who rise to the challenge with aplomb. When all these elements come together, HMS Pinafore is pure pandemonium - but in the best possible way.
The show may not be perfect, but its sheer exuberance and joy make it impossible to resist. With a top-notch cast and production team, this gloriously daffy Pinafore will have you cheering for more, long after the curtain falls on this riotous romp through the ship's poop deck.