Kwame Brathwaite, the visionary photographer behind the iconic "Black is Beautiful" movement, has left an indelible mark on the world of art and culture. The trailblazing artist, who passed away on April 1 at the age of 85, spent a lifetime capturing the essence of Black identity through his lens.
Born in 1938 to Barbadian immigrants in what he referred to as "the People's Republic of Brooklyn," Brathwaite grew up surrounded by the vibrant sounds and sights of Harlem. It was here that his passion for photography began, sparked by two pivotal moments: the haunting image of Emmett Till's open casket in 1955, and the sight of a young photographer capturing intimate portraits without flash in a dimly lit jazz club in 1956.
Brathwaite's early work focused on jazz legends like Miles Davis, John Coltrane, and Thelonious Monk, but it wasn't long before he shifted his attention to celebrating Black beauty. Alongside his brother Elombe and fellow activists at the African Jazz Arts Society and Studios (AJASS), Brathwaite co-founded the Grandassa Models, young Black women whose striking features would become the hallmark of his photography.
One such model, Sikolo Brathwaite, whom he married in 1966, became his muse and partner in life. Together, they worked tirelessly to promote a more inclusive and nuanced definition of beauty. Their collaborative efforts culminated in "Naturally '62," a groundbreaking fashion show that showcased the talents of these remarkable women.
Throughout the decades, Brathwaite continued to push boundaries with his camera, photographing icons like Nina Simone, Stevie Wonder, and Bob Marley. His work was marked by a deep sense of empathy and an unwavering commitment to capturing the essence of Black experience.
In recent years, Brathwaite's photographs have experienced a resurgence in interest, with exhibitions and retrospectives sprouting up around the world. A testament to his enduring influence can be seen in the Art Institute of Chicago's current exhibition, "Kwame Brathwaite: Things Well Worth Waiting For," which will remain on view until July 24.
As we bid farewell to this remarkable artist, we remember a man whose work embodied the spirit of Black beauty and resilience. Kwame Brathwaite may be gone, but his photographs – and the legacy they represent – will continue to inspire and empower generations to come.
Born in 1938 to Barbadian immigrants in what he referred to as "the People's Republic of Brooklyn," Brathwaite grew up surrounded by the vibrant sounds and sights of Harlem. It was here that his passion for photography began, sparked by two pivotal moments: the haunting image of Emmett Till's open casket in 1955, and the sight of a young photographer capturing intimate portraits without flash in a dimly lit jazz club in 1956.
Brathwaite's early work focused on jazz legends like Miles Davis, John Coltrane, and Thelonious Monk, but it wasn't long before he shifted his attention to celebrating Black beauty. Alongside his brother Elombe and fellow activists at the African Jazz Arts Society and Studios (AJASS), Brathwaite co-founded the Grandassa Models, young Black women whose striking features would become the hallmark of his photography.
One such model, Sikolo Brathwaite, whom he married in 1966, became his muse and partner in life. Together, they worked tirelessly to promote a more inclusive and nuanced definition of beauty. Their collaborative efforts culminated in "Naturally '62," a groundbreaking fashion show that showcased the talents of these remarkable women.
Throughout the decades, Brathwaite continued to push boundaries with his camera, photographing icons like Nina Simone, Stevie Wonder, and Bob Marley. His work was marked by a deep sense of empathy and an unwavering commitment to capturing the essence of Black experience.
In recent years, Brathwaite's photographs have experienced a resurgence in interest, with exhibitions and retrospectives sprouting up around the world. A testament to his enduring influence can be seen in the Art Institute of Chicago's current exhibition, "Kwame Brathwaite: Things Well Worth Waiting For," which will remain on view until July 24.
As we bid farewell to this remarkable artist, we remember a man whose work embodied the spirit of Black beauty and resilience. Kwame Brathwaite may be gone, but his photographs – and the legacy they represent – will continue to inspire and empower generations to come.