Critics Mourn Loss of Comprehensive History at US National Monuments
The US National Park Service (NPS) has removed several historical exhibits and informational signs from national monuments across the country, following a presidential executive order aimed at reframing America's narrative. The move has sparked widespread criticism, with many arguing that it erases the country's complex history and diminishes the credibility of the NPS.
One such monument is the President's House in Philadelphia, Pennsylvania, which once featured panels highlighting the lives of enslaved people who lived on the property during George Washington's presidency. The panels were removed as part of a broader effort to conform to Trump's executive order, leaving the site with "blank spaces" where the exhibits once stood.
"This is so shameful," said Ed Stierli, Executive Director of the National Parks Conservation Association. "The NPS has made tremendous strides in recent decades in teaching the facts about difficult topics like slavery. By removing this exhibit and signs from parks around the country, visitors are going to miss out on the full picture of our nation's history that deserves to be told in national parks."
The removal of exhibits is part of a larger effort by the Trump administration to reframe America's history and cultural narrative. Over a dozen national parks have been flagged for review, with several monuments already experiencing changes.
Critics argue that the move undermines the NPS's mission to educate the public about the country's complex history, including the experiences of Native American communities and enslaved people.
"It destroys the hard work of dedicated scholars," said Dr. Leo Killsback, a Northern Cheyenne descendent who designed panels about the Cheyenne at Little Bighorn battlefield national monument in 2014. "American culture is enriched when Native perspectives are acknowledged and fairly represented, especially when presented at a national monument."
Dr. Rasul Mowatt, a sociology, anthropology, and natural resources professor at North Carolina State University, notes that the US has a long history of suppressing Indigenous histories and narratives.
"There's always been suppression," Mowatt said. "Official histories of the US are a reflection of what that country would like itself to be seen as by both people inside and outside of it, but there's conflicting histories amongst different people."
The removal of exhibits and signs has made American history more inaccessible to the public, according to Stierli.
"There's a particular power that comes with learning about these stories in the place that they happened, in the place where it was," he said. "And it's just a completely different experience than what it would be if you're reading it on your phone, on a website or in a book."
As the US prepares to celebrate its 250th birthday this year, critics are urging the NPS to reconsider its approach and prioritize accuracy and inclusivity.
"We need to acknowledge and celebrate our history, while acknowledging the good parts and the bad," Stierli said.
The US National Park Service (NPS) has removed several historical exhibits and informational signs from national monuments across the country, following a presidential executive order aimed at reframing America's narrative. The move has sparked widespread criticism, with many arguing that it erases the country's complex history and diminishes the credibility of the NPS.
One such monument is the President's House in Philadelphia, Pennsylvania, which once featured panels highlighting the lives of enslaved people who lived on the property during George Washington's presidency. The panels were removed as part of a broader effort to conform to Trump's executive order, leaving the site with "blank spaces" where the exhibits once stood.
"This is so shameful," said Ed Stierli, Executive Director of the National Parks Conservation Association. "The NPS has made tremendous strides in recent decades in teaching the facts about difficult topics like slavery. By removing this exhibit and signs from parks around the country, visitors are going to miss out on the full picture of our nation's history that deserves to be told in national parks."
The removal of exhibits is part of a larger effort by the Trump administration to reframe America's history and cultural narrative. Over a dozen national parks have been flagged for review, with several monuments already experiencing changes.
Critics argue that the move undermines the NPS's mission to educate the public about the country's complex history, including the experiences of Native American communities and enslaved people.
"It destroys the hard work of dedicated scholars," said Dr. Leo Killsback, a Northern Cheyenne descendent who designed panels about the Cheyenne at Little Bighorn battlefield national monument in 2014. "American culture is enriched when Native perspectives are acknowledged and fairly represented, especially when presented at a national monument."
Dr. Rasul Mowatt, a sociology, anthropology, and natural resources professor at North Carolina State University, notes that the US has a long history of suppressing Indigenous histories and narratives.
"There's always been suppression," Mowatt said. "Official histories of the US are a reflection of what that country would like itself to be seen as by both people inside and outside of it, but there's conflicting histories amongst different people."
The removal of exhibits and signs has made American history more inaccessible to the public, according to Stierli.
"There's a particular power that comes with learning about these stories in the place that they happened, in the place where it was," he said. "And it's just a completely different experience than what it would be if you're reading it on your phone, on a website or in a book."
As the US prepares to celebrate its 250th birthday this year, critics are urging the NPS to reconsider its approach and prioritize accuracy and inclusivity.
"We need to acknowledge and celebrate our history, while acknowledging the good parts and the bad," Stierli said.